Factory 49 Marrickville, Sydney

Tilt, a weight inclined towards falling.

Tilt can disrupt and describe the space between things; can imply tension or direction as one looks around, grasping at a notion of perspective or the sometimes agonising sense of vertigo, things falling or toppling. The rectangle of the painting support holds this tilt, a way to anchor and give safety to possible chaos and disintegration of tilted forms; peripheral movements and glances as one moves through the world; light and shadow and the sometimes dissolved passage between.

How does the eye see and the body adjust to the visual world?

Lines, colours, shapes and then relationship, how long will the eye and the mind linger, listen to what it sees. The same colours and shapes of a different scale and proportion can give a very different sense of spatial relationship. Can visual form create a different sense of space with changed relationships/conversations? When different values are inferred by changed positions, the mood and intensity of relationships can be renewed and expanded, at other times collapsed. Intimacies, confrontations and questions take shape.